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Animorphs Re-Read – #28: The Experiment

by ◊ 322 days ago 9 Comments Switch View


If this is your first time dipping into the Animorphs Re-Read, I strongly suggest you head back to the beginning and start there unless you’re already familiar with the books. Alternatively, check out our new and improved Animorphs Re-Read index for a list of every post in the series.

First of all, apologies for not doing a re-read post last week. I was really really sick on Wednesday and Thursday, and then I had a review due on Friday. I have failed to fulfill my duties as High Priest of the Church of Applegate, and will be engaging in appropriate acts of penitence over the next few days.

With that out of the way, let’s move on to another ghostwritten book. K.A. Applegate’s Co-Pilot for Animorphs #28: The Experiment was one Amy Garvey. A quick Google search suggests that Garvey is still writing, although I don’t want to link to what is possibly her blog because a) it might not be her and b) she might think I’m some sort of stalker weirdo.

I’ve complained about some of the problems that crop up in the ghostwritten books before, and almost all of them are present in The Experiment. While the prose itself is mostly okay, the plotting and characterisation is sub-standard at best. There’s very little ‘B plot’ in evidence despite the book being narrated by Ax (whose POV books usually involve some major developments in the series’ mythology), the threat facing the Animorphs is pedestrian in the extreme, and Erek once again acts as a plot delivery vector.

But I can forgive all of that because of the book’s incredible cover art:

This is your brain on Animorphs.

I love everything about it. Everything. I love the way Ax’s head goes all weird and misshapen in the middle stages of the morph. I love how his stalk eyes slowly shrink down to nothing. I love the weird rainbow filter that makes the whole thing look like it’s supposed to be some sort of drug trip. I love the fact that it’s Ax turning into a cow. Best Animorphs cover ever? YES, I THINK SO.

Anyway, let’s get on with the boring-ass plot. Ax is frolicking around with Tobias (bromance forever) when Marco comes along and does that humour thing he’s so fond of. Ax explains that he is a Vulcan an Andalite and thus cannot understand the human concept known as humour, and then adds this little note:

It is inexplicable, and Andalite readers should simply resign themselves to never understanding.

‘Andalite readers’? What, is this being transmitted across the universe? For that matter, when and where are the kids supposed to be writing all of this stuff? They address the reader often enough that they’re a clear ‘character as author’ conceit going on, but we’re never told when they’re doing it all. I guess they could be doing it after the point where the series ends, but that would be kind of difficult given what happens in the last book. Especially for…uh, certain characters.

(No spoilers in the comments, please!)

Ax changes into his human morph, then goes with Marco to meet Erek – who is using his hologram to disguise himself as a FedEx truck. Wait, I’ve just had a brilliant idea: I’m going to write a series of books about a group of kids who can transform into inanimate objects. I’ll call it Inanimorphs. Scholastic, if you’re reading this, I will absolutely take payment in the form of wheelbarrows filled with cash.

Erek the FedEx Truck tells them that the Yeerks have taken over a meatpacking plant and associated animal testing lab, and are most likely doing something shady with them. That means it’s Mission O’ Clock! Jake decides that they should infilitrate the lab to see what’s what, which prompts some really awkward moralising from Cassie. This is one of those ghostwritten books where the ghostwriter seems to have been basing every line of dialogue they wrote on a D&D style character sheet – Cassie has the ‘Tree-hugging’ attribute, therefore she gets mad about animal testing. Marco has +5 humor, so he makes really bad jokes all the time. Ax is an Alien, so he gets a deduction to his Comprehension stat. The problem is that Cassie engages in a very particular type of moralising, just like Marco engages in a very particular kind of humor, and it all feels just a little bit off in The Experiment.

But enough complaining (for now). The kids need to acquire chimpanzees to get into the animal testing lab, so they break into a truck transporting some of said chimpanzees. The whole scene is actually pretty cool and would probably look great in a movie, seeing as how it involves fast-moving vehicles and tunnels and RACES AGAINST TIME.

With the chimpanzee DNA safely loaded into their Z-Space arsenal, the kids release the chimpanzees themselves. Ax morphs first, and is disturbed by the complexity of the chimpanzee’s mind. He starts to worry that the chimp he acquired may have been sentient or borderline-sentient, which would be really interesting if not for the fact that Marco has been morphing a gorilla for the entire series without ever worrying about the ethics of it. I mean, I know chimpanzees are closer to humans in evolutionary terms, but still. You’d think this would have come up before.

Awesomely, we’re also closely related to Tarsiers.

The kids get over their moral qualms and all morph chimpanzees, then get brought to the animal testing lab. Visser Three appears (of course), so the kids throw chimpanzee poop at him as a distraction. So, let’s see, the mighty Visser Three has been defeated by skunk stink and chimp poop. How does he still have his job, again?

He orders the nearby Controllers to kill all of the chimpanzees, but the kids manage to escape by wounding a Taxxon and triggering a feeding frenzy. Ax is disturbed by the whole idea of medical testing on animals, since Andalites don’t do anything comparable. I was all set to call BS on this until he brings up the fact that Andalites are herbivores, which I guess makes it more justifiable – if they never killed other animals to eat them, it would presumably be more difficult to imagine using them for medical testing or what have you.

The next day, they decide to infiltrate the meatpacking facility by morphing into steers. Ax and Tobias go off to acquire themselves some bovine, which leads to this line from Tobias:

<That was easy,> Tobias said a moment later. <l am cow-capable.>

Heh. ‘Cow-capable’.

There’s some pointless faffing about, and then Ax and Tobias begin Operation Beef. The plan is for them to morph into steer so that the others can hide in their nostrils in fly morph and bypass the Gleet Biofilter, which you may remember from one of the earlier books. Basically, it’s a thing that destroys any lifeforms unless they’ve been approved to pass through it. Tobias and Ax both morph, but oh no, Ax has accidentally acquired a female cow!

You are now picturing Ax with an udder. You’re welcome.

And right here is what’s wrong with the ghostwritten books. You’d think the Ax-acquires-a-cow thing would be an important part of the plot given that it’s on the cover and everything. It could have caused things to go wrong, necessitating an unexpected change in plans. But no, it’s dealt with in a singe sentence:

I demorphed. I acquired a steer. This time I checked. I morphed again.

And it’s a badly written sentence at that. This kind of thing is a recurring problem in the ghostwritten books, and it’s only going to get worse from here.

They get inside the meat place and discover a bunch of humans in bio-stasis. Ax comes across a Yeerk computer, which helpfully tells him (as in literally tells him) what the place is being used for:

It replied in a simulated human voice. “Project Obedience is the brilliant insight of our great and glorious leader, Visser Three, hero of the Taxxon rebellion, Scourge of the Andalite fleet, Conqueror of Earth.”

[...]

“Project Obedience is designed to use genetically engineered biological components to erase those portions of the human brain responsible for freewill.”

Wait, there was a ‘Taxxon rebellion’?

Oh, and the Yeerks were trying to remove human freewill. I guess that’s bad.

Or it would have been, except that they find out immediately afterwards that the project didn’t work. There was never any risk of the Yeerks using the lab for anything. The entire book was pointless.

Yeah. But hey, at least we got that cover art!

Join me next time for my re-read of Animorphs #29: The Sickness, in which…wait. Hold the phone. Is that Cassie morphing into a Yeerk? Could this be another great entry in the ‘Cassie confronts moral dilemmas’ sub-series? Could it be a stunning return to form for Animorphs? Could it wash away the taint of a boring-ass cow plot that goes nowhere?

The Sickness is the twenty-ninth book in the Animorphs series, authored by K.A. Applegate. It is known to have been ghostwritten by Melinda Metz. It is narrated by Cassie.

ghostwritten by Melinda Metz

ghostwritten

I wouldn’t get your hopes up.

About the Author

Sean http://www.seanwills.com

I came to science fiction relatively late, being a bigger fan of fantasy during my teenage years. Now I enjoy speculative fiction of all kinds, particularly anything with a literary bent. I studied English at NUI Maynooth in Ireland, and now write science fiction for teenagers. Follow my exploits at www.seanwills.com. View all posts by Sean »

Discussion - 9 Comments:

  1. Phoebe

    Wait, I’ve just had a brilliant idea: I’m going to write a series of books about a group of kids who can transform into inanimate objects. I’ll call it Inanimorphs.

    Six figure deal!!!

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  2. Cyllya

    Definitely disappointing to get an Ax book that doesn’t really go anywhere.

    I actually don’t think Ax accidentally morphing a (female) cow has much to do with the book being ghostwritten. Back when the series was still running and Scholastic’s website had regular author Q&A, K. A. Applegate herself said that she sometimes had to change the books to match the covers. It’s why Tobias’s hair color changed a few books in, and why Marco got a hair cut in book #10. So I’m guessing the artist drew the cover with a cow for some reason, and it would be too much work/money to fix it, so the ghostwriter had to find a way to squeeze in a cow morph.

    Interesting that Visser Three takes credit for squashing the Taxxon Rebellion. Thanks for pointing that out. I guess it’s talking about the events on the Taxxon homeworld during The Andalite Chronicles, which seems like a “wasn’t all that significant but sounds good on your curriculum vitae.”

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    • So I’m guessing the artist drew the cover with a cow for some reason, and it would be too much work/money to fix it, so the ghostwriter had to find a way to squeeze in a cow morph.

      so clumsily that I’m still inclined to think they could have done something a bit more with it.

      I guess it’s talking about the events on the Taxxon homeworld during The Andalite Chronicles, which seems like a “wasn’t all that significant but sounds good on your curriculum vitae.”

      I completely forgot about that! You’re right, that’s what it’s talking about. I guess the rebellion could have gotten worse after the book’s POV shifted away from it? Maybe? Anyway, it’s interesting to see it crop up here.

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  3. Lamusiqe13

    My thoughts on this book:
    http://fapit.net/v/1199/epic.jpg.html

    Seriously. As a kid, this was my least favorite book. Ax was always my least favorite POV character as a kid, because his narration always seemed cold and distant compared to the other ones, and because his adjustments to living on Earth were more cringe-worthy than funny. This is the book where all those problems come together, and it kind of sucks.

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  4. eNVee:D

    Haha, I guess even middle school me knew better, I never bought this one! I remember thinking no good could come out of a cow morph and skipped over to Cassie’s book (a much better read, actually). After I gave my Animorphs away, I had a sad moment where I wanted to read them again and came across the PDF files that had been uploaded to that crazy fan site and so it was only a year or two ago that I got a chance to read a couple of the truly spectacularly horrible ghostwrit products they had the audacity to stamp Applegate’s name on. I’m happy to know I really hadn’t missed much, and I think I may have preferred never reading them once the disappointment set in.

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    • To be fair, the ghostwritten books so far have been better than I expected. The main problem I have with them is that similar issues seem to be cropping up again and again – in particular, the lack of that all-important B plot. I remember some good books in the 30+ range, though, so I’m hoping the re-read project won’t end up being a slow slide into negativity from here on out.

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      • eNVee:D

        I agree, there are some good ones and the majority aren’t terrible, but I remember three or four being REALLY bad (I believe two of the ones I’m thinking of were by the same author, so there you go). I skipped three books in the whole series and never read them until a year ago and in my opinion, all three of those were poorly written in terms of plot and/or characterization: The Other, the one with Rachel turning into a cheetah, and this one.
        But like I said, I did like some of them, such as Cassie’s book that’s up next for review (which I’ll comment on when the post is up :D )

        Quote

  5. Lamusiqe13

    You know, I just found out something HILARIOUS about this book. Apparently, Amy Gravey didn’t care about the plot-holes or the awkward characterization; the entire point of this book was to express her feelings on eating meat. Applegate added the last chapter herself, which featured the characters eating meat, because Applegate herself wasn’t crazy about this book. In fact, she and her husband hated it so much that Amy Gravey was one of the two ghostwriters who was never allowed to write again. (I’m not sure who the other one is, but I assume it was the person who wrote The Mutation, which, oh, look! It’s coming up next! I’m sure this’ll be fun for everyone!)

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  6. Tobias Skywalker

    If what Lamusique says is true, then I appear to have fairly similar tastes to Applegate herself- score for me! ^_^ In that, while I do see clearly which books are ‘better’ than others- this is HONESTLY the first one that really well and truly feels like not *only* filler, but sort of awkward forced filler that doesn’t even do the job of entertaining the part of me with lower standards than the rest of me. I think the only thing I liked about it was use of the ‘Gleet BioFilter’, plus some of the ‘characters acting like themselves’;…..but from an honest book critic standpoint, these don’t justify the flaws as everything I like could have been used much better simply in a different, edited, better planned book. Nothing here actually stood out much.

    IF they’d wanted to do the whole “Not even Alien brain-stealing slugs can eliminate Free Will”, they should have done it earlier. Since this is an Ax POV book, I actually really like the idea of them dead trading the places of this book and #18 in chronological order. The weaknesses of this book are much more forgiveable if we set it back a full 10 books earlier, and #18 itself is strong enough that it could support itself on its own merits this late into the series. :)

    All around, there were cute things here and there, but it’s only a few pages, maybe at most a chapter, of acceptable Animorphs contents, and I’ve simply come to accept more from the series. The Mutation also has the filler-feeling to it, much more strongly than other Ghost Written issues. If they’d wanted to that kind of plot, better to do it before Hork-Bajir Chronicles came out and before I started *really* taking things in Animorphs SERIOUSLY.

    Atlantis would have been better if instead of feeling like an entire different planet than Animorphs takes place on, they actually tied it somehow into the Chee or the Ellimist or the Yeerks or something halfway plausible. I REALLY love Atlantis stories, and I REALLY love Animorphs. That I don’t like Animorphs’ take on Atlantis, even when I was able to be perfectly accepting and just ‘go along with’ the HELMACRONS, means that book simply didn’t try hard enough to make the Atlanteans a good alien species.

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